It's 1998. Max has a love-hate relationship
with love, hate, and relationships.

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"Immensely appealing performances nail an exceptionally canny script." Matt Soller Zeitz, New York Times

"A charmer with sharp writing and a sweet sensibility. [Critic's Pick]" Bilge Ebiri, New York Magazine

"Perhaps the best examination of self-aware college ennui since [Noah Baumbach's] Kicking and Screaming" Andy Spletzer, The Stranger [Seattle]